Bose, a movie, an understatement that lingers starkly loud in the memory space. The brilliance of Benegal matches with the effortless éclat of some of the best names in the Indian movie industry to create this classic of sorts. Looking back at the attempts of Indian directors at recreating the lives and contributions of the few men that remain unforgotten in the Indian freedom struggle, this depiction of one of the most influential yet neglected heroes of those times, Netaji Subhash Chandra Bose, stands apart for its simplicity and eye for detail and proximity with historical facts. A few movies that I can think of in this league would be The Legend of Bhagat Singh by Santoshi, Sardar by Ketan Mehta(a master piece, which I don't know why everyone seems to have forgotten), and of course Gandhi. Looking back, also at all these works makes me feel all these have been the best efforts of the respective directors. So is Bose Benegal's best work? Well I would agree that it is his most elaborate, ambitious work till date, and I am least interested in comparing his other works, because all his movies are so original and distinct in their genres, like Zubeidaa, Sooraj Ka Saatva Ghoda or may be Sardari Begum, for that matter. Bose works, and works magically, at various conscious and sub-conscious levels. It is a decent and honest attempt at depicting a forgotten phase in Indian history without even the slightest pinch of controversy or contempt, amidst the mist of Quit India and Gandhi, a phase no less substantial. It invokes a respect for the great work and ideals the man stood for, and still continues to inspire many generations alive and those yet to come. Another feat of the movie is the slick narrative and editing that holds the entire length of the movie with effortless flow. Khedekar is highly impressive, with his distinctive style of natural acting without any pretense or desperate attempts at imitating Netaji. But at the same time, he succeeds at the same with a surprising sensibility and spontaneity. A special mention for the mellifluous score by Rahman, which magnifies the grandeur and gives an identity to the plot. Take a bow, Benegal, Rahman and Khedekar! This one's for every Indian at heart!